First, a plug. On May 15th, I had the privilege of singing the soprano solo part in Handel's Messiah with the Cathedral Choir, in Albany, NY.
(See http://web.me.com/woodybynum/The_Cathedral_Choir/Welcome.html)
The concert was part of a series of fundraisers to send this very deserving choir on a tour of Italy. If you are in Albany sometime, please consider stopping by the church and offering a donation. Or, visit the church's website to see if there are upcoming concerts to benefit this magnificent choir.
Messiah is long. It gets longer, if you don't have a savvy conductor moving things along. Woody Bynum (the Cathedral's choir director) is a master- being a singer himself, he understands the plight of those Handel-ian mellismas, and brings his sensitivity to the instrumental interpretation. I was also shocked to find out that the boys had NEVER PERFORMED Messiah before this May!! They began learning the piece in the Fall, and by the 15th of May, sounded like old pros.
Now, it may seem a strange idea, performing Messiah in Spring time, but during the service (while I was not singing) I found myself meditating upon those texts. Too often during the Christmas season, we singers find ourselves with numerous Messiahs to perform. It's sometimes less about the holiday and more about the work; and speaking for myself, the stress of the season/fighting off the winter flu/extreme cold/too many tourists in NY- disrupts the holiness of Christmas time. That, and usually choirs only offer the Christmas portion of Messiah, doing a disservice to the rest of the work. Even non-Christians can glean some comfort from that biblical question "O death, where is thy sting?".
Maya Angelou is quoted as saying "I answer the heroic question "Death, where is they sting?" with "It is here in my heart and mind and memories." and then of course Shakespeare's sonnets are fraught with references to this descriptive text, specifically #146
"So shall thou feed on Death, that feeds on men,
And Death once dead, there's no more dying then"
Sadly, mere days after performing this profound work, my Aunt passed away after a long struggle with cancer. I can't help but think that the unusual timing of this Messiah wasn't arbitrary at all. My friend Nate sang a glorious "The Trumpet shall sound" accompanied by an outstanding baroque trumpet and, to paraphrase Corinthians, I was 'changed'. I had no idea how dire my Aunt's situation had become, at those moments during the performance, but she was first and foremost in my thoughts throughout.
I have to respect that my Aunt was a private person, suffice it to say- she lived on her own terms, and passed on when she was good and ready. I'm grateful to have visited with her before the end, and am honored to have known such a woman.
Allow me to impart some things I've learned this week:
1. Friends are wonderful.
2. Even if your loved one didn't want a 'big deal' made of it, family and friends appreciate the opportunity to get together in tragedy, and lend comfort to each other.
3. When selecting music for the service, consider the resources on hand, not how you'd like your favorite song sung. Opt for instrumental version whenever possible
4. Make sure your choice of reading is NOT the selected gospel reading. Don't leave it up to the priest to double check for you. Even though it's their job.
5. Watch out for your food intake. I discovered this week that I'd rather eat than feel sad. Now that the funeral is done, the initial sadness lingers coupled with anger, now that I'm fatter. :)